The Teahouse Fire

THE TEAHOUSE FIRE: reviews


Emily Barton, author of BROOKLAND, The Los Angeles Times--

When [Avery's narrator] remarks, How beautiful, to see something done simply and well, she could easily be speaking about THE TEAHOUSE FIRE, a novel that, like the tea ceremony itself, provides true pleasure to the intellect and all the senses.
(December 31, 2006. Click here to read the full review)


Lylah Alphonse, The Boston Globe--

Avery's writing is saturated with color and detail... in this deeply engrossing, multifaceted work.
(February 8, 2007. Click here to read the full review)


New York Press, Best of Manhattan, 2007--

BEST WRITER YOU'VE NEVER HEARD OF BUT SHOULD GO READ RIGHT NOW
Ellis Avery
We can't shut up about Ellis Avery's THE TEAHOUSE FIRE. The novel makes the story of 19th-century Kyoto as it is opening to the West-- told via the perspective of an American orphan, Aurelia, adopted by a Japanese family of tea masters-- seem like it's playing on IMAX. Aurelia inhabits a hyper-cinematic world of lacquered palanquins, shoji-screened teahouses and Geishas wearing layers of kimonos as the "butter-smelly barbarians" (that would be Americans) are on their way. Just go read it already. Go! Why are you still reading this?
(October 24-30, 2007)


A starred review from Publishers Weekly--

Avery, making her debut, has crafted a magisterial novel that is equal parts love story, imaginative history and bildungsroman, a story as alluring as it is powerful.
(October 30, 2006. Click here to read Craig Morgan Teicher's Q&A with me in the same issue.)


Lucy Daniel, Financial Times--

The tea ceremony becomes a tiny stage on which grand passions are enacted... Avery captures all this with the emotional poise befitting her characters, and great sensual pleasure. Her novel is a rather beautiful thing: all the more so for emulating the values of another world.


Marie Claire--

On every page there's a gorgeous image to savour... hypnotically beautiful.
(December 4, 2007)


Karen Schechner, January Magazine--

Artful... an intricately imagined world... Part of the enjoyment of Avery's expansive novel is that as Urako finds her place in Japan, and in The Way of Tea, she sweeps the reader along with her in almost visceral experience of late-1800s Kyoto.
(May, 2007)


Allison Block, Booklist--

Top 10 First Novels on Audio: 2008

Caruso seamlessly renders French, American, and Japanese accents in this historical fiction set in nineteenth-century Japan and focusing on a French orphan and her adoptive family of prominent tea masters.
(November 15, 2008)


Francesca Segal, The Guardian/The Observer--

A rich story, to be savoured for its detail.
(January 6, 2008)


Laura Brown, Tonight South Africa--

A good historical overview of Japan's transforming society shortly before the arrival of the Americans, while at the same time a seductive and gripping tale of love and war.
(January 17, 2008)


Michael Janairo, Albany Times-Union--

A well-researched and intimate cross-cultural journey...Aurelia is always at the center of this generous, engaging and rewarding story.
(June 11, 2007)


Paul Kim, Audrey: The Asian American Women's Lifestyle Magazine--

A strong story of friendship that avoids Orientalist tendencies...a breathtaking portrait of two women...Avery fuses history, romance and cultural observation into a novel of impressive scope and stylistic execution. Fascinating in its portrayal of friendship during a time of great cultural transition, The Teahouse Fire is a story that will please readers and history buffs alike.
(June, 2007)


Terri Paul, Ohioana Quarterly--

[Avery] seduces us with the breadth and depth of her knowledge, the endlessly fascinating and relevant experience of her immigrant narrator, and the graceful way she brings this alien, long-ago world to life.
(Spring, 2007)


Susan Pavloska, Kyoto Journal--

"A fascinating...account of daily life in Kyoto during the crucial years of Japan's struggle to come to terms with the end of its centuries-long cultural and political isolation."
(Spring, 2007)


Tim Bryant, Buffalo Artvoice--

Beneath the beautiful surface of Avery's artfully controlled prose...the novel's essential question is that of desire: By what ceremonies, through what pains and past what obstacles must we endure in order to have not just any life but the one we most want to claim as our own?
(February 8, 2007. Click here to read the full review)


Kate Lavin, The Contra Costa Times--

By turns beautifully minimalist and rich in detail...
(February 4, 2007. Click here to read this interview in its entirety.)


Cassandra Neyenesch, The Brooklyn Rail--

Ultimately the story of The Teahouse Fire is beauty, in all its allurements and sacrifices.
(February, 2007. Click here to read this interview in its entirety.)


Marie Mutsuki Mockett, Japundit--

Ellis Avery's research included a stay in Kyoto where she studied the tea ceremony, but that alone doesn't account for her perceptiveness about Japan; she's simply a keen cultural observer.
(December 31, 2006. Click here to read the full review)


Deidre Donahue, USA Today--

Fans of historical fiction, as well as those with an appetite for all things Japanese, should consider Ellis Avery's THE TEAHOUSE FIRE.
(December 27, 2006. Click here to read the full review)


Bookdwarf--

[A] lovely debut novel... told with lush and precise details through the eyes of a complicated narrator.
(November 9th, 2006. Click here to read the full review)


Suzanne Kamata, Japan Visitor--

Avery weaves... historical elements into a riveting story of love and betrayal. As in tea ceremony itself, there are many moments of great beauty. This is an impressive debut.
(October 5, 2006. Click here to read the full review)


Leigh Anne Vrabel, Carnegie Library of Pittsburgh, Library Journal--

Avery's compelling debut novel presents women who dare to challenge expectations in the changing cultural landscape of 19th-century Japan. The Shin family has taught the tea ceremony for generations, but daughter Yukako is expected to marry the next master teacher instead of assuming the role herself. When Yukako discovers white American Aurelia hiding from her abusive missionary uncle on the Shin estate, she takes her in as a servant-companion and secretly teaches her the family arts. But can their friendship survive the changes that sweep Japan as the 20th century begins? Readers who enjoy historical fiction will be dazzled by Avery's attention to detail, savoring her descriptions of each kimono and tea implement. Those who like plot twists will relish the epic cast of characters who help and hinder Aurelia and Yukako as they mature. An homage to Virginia Woolf's Orlando in both style and theme, Avery's ambitious endeavor is the perfect companion for a series of cold winter nights. Recommended for medium to large fiction collections.
(November 9, 2006. Emphasis mine. You need a subscription to see the review, so I offer it in full.)


Deborah Donovan, Booklist--

Avery, a long-time student of Japanese tea ceremony, has set her first novel in Japan in the late nineteenth century, years when that tradition-steeped nation gradually exposed itself to the modern West. She weaves a memorable saga of two women: Yukako, the daughter of a respected "tea advisor" to feudal lords, and Aurelia, a French orphan who traveled to Kyoto at age nine with her uncle, and was adopted by the tea master's family after he died. Avery adroitly conveys the intricacies of the tea ceremony, "the language of diplomacy," and the subtle ways in which it was transformed as Japan moved from a Shogun society to one ruled by the Emperor. At the same time, she illuminates vivid period details, as the steam engine arrives, women stop blackening their teeth, and the ban on Christianity is lifted. Aurelia remains Yukako's stalwart friend through doomed romances and a disappointing marriage, telling her, when Yukako resumes her father's tea ceremonies after his death, "You took an art that could have died, and you made it live."
(November 15, 2006. You need a subscription to see the review.)



Two reports on THE TEAHOUSE FIRE reading by Ellis Avery and tea ceremony demonstration by Norico Sakagami of Cha An at New York's Asia Society on March 3, 2008: one by Lee Kottner, who attended the event, and one by Marie Mutsuki Mockett, who hosted it.


Sarah Laurence, Sarah Laurence Blog--

THE TEAHOUSE FIRE is as beautifully choreographed and unrushed as a tea ceremony...What is striking about Avery's story is that it reads like a Japanese novel.
(April 2008)


GA. A. Banks-Martin, Her Circle Ezine--

From the beginning, [THE TEAHOUSE FIRE] is about changing and recreating self.
(March 2008)


Robert Belton, Shiawase--

This is a very interesting debut novel by Ellis Avery. What struck me most about it is the author had obviously learnt Japanese and learnt it in some depth...
(March 2008)


Matt Haig, author of THE DEAD FATHERS CLUB--

THE TEAHOUSE FIRE is a novel as exquisitely intricate and carefully presented as the tea ceremonies it depicts. It is a masterful act, and a most captivating portrait of a changing society. A book to savour.


Emma Donohue, author of SLAMMERKIN--

With meticulous detail and exquisite sensuality, Avery invites us into a lost world on the brink of transformation. THE TEAHOUSE FIRE is an absolute spellbinder.


Liza Dalby, author of GEISHA--

In Ellis Avery's THE TEAHOUSE FIRE, aesthetic rules vie with politics, sex and human feeling. Avery has whipped up a heady brew.


Maxine Hong Kingston, author of THE FIFTH BOOK OF PEACE--

Reading Ellis Avery's THE TEAHOUSE FIRE, for me, is like attending seasons of elegant tea parties-- each one resplendent with character and drama. Delicious.


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